Now i do respect the titles he choose i feel that he completly ignored all of the remade or newer films. Now i understand they are remakes and are not origional beacuse they ripped the idea off of a older movie, however, that dose not necessarily make them inferior. I actually think that many of the remakes outdo the original. Ok, ok i lied not many only a few lol. Best Vampire Movie: Now i love the old dracula, especially Bela’s, however, my favorite vampire movie is From Dusk Till Dawn. That movie is nothing but pure fun that has no boundries. One of the best and origional parts of the entire movie is the fact that for the entire first half of the movie one dose not even know they are watching a vampire film. The first half of the movie is just character interactions and development and they future some perfect acting roles, especially George Clooney. As soon as the vampires are introduced it is all out war and vampire ass kicking. Tom Savini, Clooney, Tarantino, Juilette Lewis, and many others just fight an onslaught of vampires. The Best Horror Movies of All Time are calculated by overall movie ratings and members' "Top Horror List". The Top Horror Movies List is calculated. LATEST HEADLINES 'Furious 8' Tops $900 Million Worldwide as Disney's 'Born in China' Bests All Newcomers 23 April 2017 3:21 PM, UTC; Fox Sets Ryan Reynolds. The film crew at CraveOnline presents their picks for the scariest horror movies of all time, starting with #50-26. Art is subjective, no matter what the box office.
It is a perfect movie. Best Frankinstine movie: Honestly i have not seen many Frankinstine movies, i seen the origional, bride of frankinstine, and many little kid movies or other movies with frankinstine like creatures and my favorite of them is defenatly the origional. We’re now fifteen years into the new millennium, and while the horror genre is as ever responsible for more dross than most, it’s also been an exciting time for. Granted i will make it a point to watch the others beacuse i feel there are defenatly better ones. I mainly choose the origional beacuse there is just so much memorable scenes in it and me and my friends constantly quote that movie. Its great. Best Werewolf movie: Well it is hard for me to say personally beacuse many of the werewolf movies are just terrible. I love the origional wolfman, however, i do wish there was a transformation scene and i wish the werewolf actually mutilated his victims like a werewolf would actually do, instead of just strangling them. I do like strangling them in a way beacuse it forces the victim to staire into the evil, death like eyes of the wolf man so it creates suspense and true horror. Now i like the remake but i felt the origonal was better, i thought american werewolf in london was ok, but i do agree with James and i would call it a werewolf sub genre beacuse i felt it was more comedy than horror. I would probably have to give the best werewolf movie to The Howling. I just found that movie so entertaining and it defenatly filled my desire to see the wolf just tare people to shreds. Best Mummy movie: This is the prime example of a remake of a Mummy movie just being so great. I defenatly Choose the remake of the Mummy (1. Frasier) to be the best of the Mummy films. As much as i liked the origional i felt that this movie had everything, great acting, great story, great filming, it had those comedy moments, from almost every character, that balanced the tension of the film out and made it what it is, a masterpiece. I was actully highly impressed with Brendon’s preformance in this movie beacuse most of the time, especially now of days, i think he is a terrible actor beacuse he dose not have that balance he is just total goofball. Best Zombie Film: I would defenatly have to say the remake to Dawn of the Dead. I loved the Origional Dawn of the Dead but i thought the remake took everything i loved about the orgional and enhanced it ten fold. The acting was amazing, the story was the same as Dawn of the Dead but of course it ripped off the original, however, there were many diffrent scenes from the original to make the remake as unique as it can be. One of the main reasons i choose this as number one zombie film is beacuse it has one of the scariest zombies in movie history, i do not know the actresses name so if somone else knows please leave a coment if anyone else knows. The part i speak of is when the heavy set old lady comes into the mall with a bite wound, her vains are completly visable and they are surrounding the entire bite, her eyes roll to the back of her head and she dies, however, within seconds she comes back and charges at full force and i mean AT FULL FORCE, she is absolutly terrifying and easily one of the scariest zombies ever! Other than that i love how this movie has a very dark ending and a very realistic one at that beacuse lets face it, if a massive zombie outbreak orrured there would be no hope. Best Alien Film: Easy, John Carpenter’s “The Thing” This movie is Gold, sure most of the time the alien has duplicated human cells to make it seem as if it was human, so it looks and sounds exactly like one, but that dose not matter. This alien is defenatly not human, with some of the best special effects ever in a movie, alien delivers what ever horror movie person would die for to see in an alien movie. This is insainly suspenceful, it keeps one at the edge of their seat waiting to see who is alien and who is not, it is a unique movie, even though based of a thing from another world, what John Carpenter dose is take that concept and make his own idea out of the entire thing. Take my word for it, it is the best alien movie EVER!!!!!!! Honorable Mentions: There are defenatly other movies i left out that diserves to have a word put out for them. For a werewolf movie, i say cursed is very good. Many people crap on this Wes Craven movie and i do not understand why, somone help me by explaining why it sucks, i loved it and it is the last good modern day werewolf movie i have seen. For a zombie movie i have two mentions, those being Zombi, the Italian Zombie Film that is concidered the indirect sequel to George Romero’s Dawn of the Dead. I do not want to spoil anything of the movie Zombi so i am gonna put my word out and hope that people believe me and go take a look at the film beacuse it is amazing. I put ” The Dead” on the list beacuse until this movie, there has been absolute shit for good zombie movies, lets face it for many many years we have had not a single good zombie film, excluding dawn of the dead remake. I did not care for 2. However, the Dead is an amazing movie that has returned to the original style of George Romero’s zombie films, it is very much like night of the living dead and dawn of the dead. It features the slow movie steryotipical zombies but the setting of the movie is in the middle of Africa, which is where i think this film benefitted most, the acting was ok but the setting and story was great. The story is very simplistic and it is best that way it involves two character with two seperate simple stories, i will not reveal but they do cross paths. The setting is great beacuse most of the movie takes place at night and throughout the movie there is barley any safe zone, many people say the movie drags on, hwoever, this is not ture beacuse there is not a moment in the movie one can feel safe beacuse as soon as the safe feeling is established you see a zombie in the back ground approaching and as that happens everyone knows more follow, especially at night in an open area. Believe me this movie is an amazing mondern zombie film. Best 9. 0s Horror Movies ? While some could argue that the '8. This list of the top scary films of the 1. Some of the best 1. What the 8. 0s were to slasher films, the 9. Silence of the Lambs, 1. Seven, and 1. 99. The Sixth Sense. Not only are these movies among the greatest horror films ever made, they're also excellent thrillers that'll keep you on the edge of your seat. That's not to say that the best 9. No no, the 1. 99. Scream series (1. Some might also argue that 1. I Know What You Did Last Summer is also one of the best! Enjoy this list of great horror movies from the '9. If you're a huge horror buff, you might be interested in these lists of the best slasher movies, movies with the scariest clowns, and the best B- movie movies ever made.
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Watch 07-Ghost episodes online free. Stream full 07-Ghost episodes and movies with english subs. DVD (Region 1) Rurouni Kenshin - Legendary Swordsman (DVD) 2000-07-18 Rurouni Kenshin - Wandering Samurai Premium Box Set (DVD) 2003-11-18. Anime on DVD & BluRay - R to S: Raccoon Wars Import DVD: Rage of Bahamut: Ragnarok: Rail Wars: Rainy Cocoa: Ramen Fighter Miki. A series of events unfold that questions his ideal of living for the innocent and not slaying men. Kenshin faces every opponent with his reverse blade to uphold justice. Rurouni Kenshin: Trust & Betrayal. Samurai X: Trust & Betrayal, known in Japan as Rurouni Kenshin: Tsuioku- hen(. Based on the Rurouni Kenshinmanga written and illustrated by Nobuhiro Watsuki, Trust & Betrayal chronicles the story of Himura Kenshin as the Hitokiri Batt. Trust & Betrayal was later collected into a two- hour feature- length motion picture with new animated sequences and released theatrically in Japan. In 2. 00. 3, this feature- length motion picture was eventually released in North America on DVD as a director's cut by ADV Films. After ADV Films' closure, Aniplex of America began licensing the OVA series for Blu- ray Disc releases in North America under its original title: Rurouni Kenshin: Trust & Betrayal. It has received universal critical acclaim from anime critics, with praise directed towards the story, animation, art, music and Japanese voice acting. While a raid of bandits slay a group of travelers, a young boy named Shinta is saved from death by a passing swordsman. The swordsman, known as Hiko Seij. Hiko takes Shinta as an apprentice and renames him . He joins the Choshu clan and soon works for their leader, Katsura Kogor. Kenshin soon becomes a hardened killer, feared far and wide as the Hitokiri Batt. During a successful assassination, he kills a bodyguard named Kiyosato Akira. The encounter with Kiyosato leaves Kenshin with the first half of his cross- shaped scar. After killing a skilled assassin, Kenshin meets a woman named Yukishiro Tomoe, unaware of the fact that she is the fianc. Kenshin takes her to the inn where he and the men of the Choshu clan are residing. Katsura suspects a spy among the Choshu after Kenshin informs him of the assassin he killed. After the Ikedaya affair, Katsura arranges for Kenshin and Tomoe to hide in the village of Otsu as husband and wife, so the two would not be suspected. After a few months, Tomoe's brother Enishi comes to visit and secretly reveals to his sister that the shogunate agents assigned to track down and kill Kenshin are close by, and that her revenge will be complete. Tomoe sends Enishi off, feeling ill at ease. It is here that Tomoe realizes that she has fallen in love with Kenshin. Kenshin, too, is in love with Tomoe. The next morning, Tomoe leaves the house and tries to deceive the shogunate men into giving up their pursuit of Kenshin and unsuccessfully attempts to kill their leader. After Tomoe's disappearance, Kenshin is visited by a comrade who tells him that the spy was Tomoe and that she is meeting at that moment with her co- conspirators. He also reveals to Kenshin that she is the fianc. Kenshin, however, is unaware that it is this man who is the real spy. While heading to Tomoe's location, a heavily- shocked Kenshin faces and kills three of the four shogunate agents but becomes badly injured due to his traumatized state. While Kenshin is fighting with the last agent (a fist fighter), Tomoe steps in between the two to protect Kenshin from the killing punch. This allows Kenshin to kill the agent but, in doing so, unintentionally impales Tomoe also. Before her death, she gives him the second part of his cross- shaped wound. Kenshin, blaming himself for Tomoe's death, swears to fight to bring about the age desired by Katsura, but after that to continue fighting to protect the innocent without killing again. Katsura informs Kenshin that he had a new assassin kill the real spy. As the Tokugawa shogunate is nearing its end, Kenshin has his first encounter with the Shinsengumi captains Okita S. It is then revealed that once the Bakumatsu revolution had ended, the Hitokiri Batt. Then Kenshin returns to the graves of the women he buried when he was a child and places Tomoe's scarf on them. Sometime afterwards, Hiko Seij. Furthermore, while it surpasses the original television series in many ways, it remains complementary and insightful to why Kenshin becomes the way he is. After all, nothing builds character quite so well as a stirring tragedy. It doesn't get much more tragic or stirring than this. Mike Crandol noted it as one of the greatest OVA series of all time, celebrating the new characters designs as well as the fights scenes which were also noted to be . While considering the violence . He did criticize ADV Film's English dub as . 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The Nerd Lunch crew was impressed with the film, having the usual reaction of folks fist discovering the deep end (or high- end) of the the genre — an appreciative “Wow, there were GOOD ninja movies?!?!” exclamation, followed by a desire to see more. You can here it all HERE: Glad as I always am when I can share the . So, the below article is intended as a intro to Shinobi- no- Mono for new audiences, and a companion piece to the podcast discussion on Nerd Lunch. And at the end tries to pinpoint why the Citizen Kane of ninja movies was never big deal in the States. Enjoy! by Keith J. Rainville, December, 2. New Decade, New Ninja. In 1. 96. 2 subversive director Satsuo Yamamoto (known for his art group and publication Mavo as well as left- wing and anti- war films) and box office idol Raizo Ichikawa set out to tear the Japanese public’s idea of ninja movies a new orifice. Shinobi- no- Mono would become a hit for Daiei Studios, deconstructing the genre of colorful swashbuckling wizard- based ninja that had grown out of kabuki theater. Mirroring trends in popular literature and manga, Sn. M wasn’t the first black- and- white ninja movie featuring the hoods and commando techniques, but then again Dr. No wasn’t the first British spy movie of the 6. Out were the magical special effects and jaunty heroes, in were gritty, realistic ninja films that saw socially oppressed little guys in black cloth suits with specialized shadow skills trying to shirk the foot of the armored spear- wielding samurai climbing over them for upward mobility. The Murayama Tomoyoshi pulp novels Sn. M was based on wore its socialist agenda on its sleeve, and director Yamamoto specialized in tales of anti- heroes subverting authority. Feudal warfare would stand- in for the capitalist system, conquest of land doubled for corporate greed, rival ninja were the guys in the next cubicle competing for what should have been your raise, and warlords played with innocent lives like the most jaded of corporate middle management played with careers. Are you a genuine shinobi-cinemaphile? Some of the below are legit classics from Japan, some are 80s exploitation fare from the US, Hong. Samurai film directors. Akira Kurosawa is the best. Ninja is an on'yomi (Early Middle Chinese-influenced) reading of the two kanji ". In the native kun'yomi kanji reading, it is pronounced shinobi, a shortened. Nya is the Elemental Master and Ninja of Water and the younger sister of Kai. While working alongside Kai in their father's blacksmith shop, Nya was abducted by the. Kai is the Elemental Master and Ninja of Fire, and Nya's older brother. Kai and Nya continued to work as blacksmiths in their missing father's shop. In addition to its socio- political tone, Sn. M looked like no other ninja movie had. Tomoyoshi’s books were inspired by the research of ninja history pioneer Heishichiro Okuse, and for the film adaptation modern ninjutsu practitioners Toshitsugu Takamatsu and Masaaki Hatsumi (of modern Bujinkan fame) were on set providing outr. The new screen ninja they spawned fought different, crouched in unique stances, had unique ways of running, and in general moved and carried themselves differently than the samurai around them. Between the ninja advisors and credited prop masters “Kawaguchi Ryu” audiences were also first exposed to proprietary short swords, bamboo spy gadgets and most iconically, tighter, trimmer, more utilitarian black suits and hoods than previously seen. The hills of Iga, previously portrayed as wooded paradises where white- bearded old wizards trained their plucky young wards in teleportation and weather manipulation, now became claustrophobic hiding places of secret garrisons that trained generations of spies, saboteurs and assassins in the dirty work richer, nobler samurai were unwilling to do. Prideful as they were in their astounding skills and reputations throughout the land, the farmer- class ninja villages of these movies were essentially ghettos, and were always the target of paranoid warlords unwilling to let the people of these provinces live by their own rules. For the first time on screen the ninja life was portrayed as hard, unforgiving and spartan. There was no fame or glory for their anonymous work, no reward other than being the best and the secure knowledge that an otherwise impossible mission was executed by the only warriors remotely able. Withstanding torture and the resolve of cutting one’s face off if caught were skills taught alongside demolitions, exotic poisons and chemical weaponry. It was a grave, dark life with no upward mobility and the promise of an anonymous death in servitude to another. A Story of Shadows. In addition to all of the shinobi genre deconstruction, the first Sn. M film was loaded. The protagonist is Ishikawa Goemon (a real- life historical folk- hero / Robin Hood- type scamp / notorious serial criminal depending on myriad portrayals), a young and optimistic ninja of remarkable skill but flawed with ambition and a weakness for the ladies. Above him in the shadow clan hierarchy is his garrison’s chief Momochi Sandayu (another name plucked from foggy history), a grumpy and feeble ruler obsessed with taking down the brutal warlord Oda Nobunaga. Sandayu, however, is not all that he seems, living a double life as the more nimble (and horny) leader Nagata of rival garrison Fubayashi. This remarkable master of disguise is one of the most enigmatic and striking screen villains you could ever ask for. Sandayu plays his ninja groups against each other, two wheels in a revenge and greed fueled machine that grinds Goemon and every woman he’s connected with to a pulp. Nobunaga, in the meantime, is rightfully paranoid about such a skilled people living beyond his control, and while Sandayu and Goemon play their little game of cat(s) and mouse, he’s winding up tens of thousands of cavalry, spearmen and artillery to level Iga the second he has an excuse to do so. A botched assassination attempt gives him just that, and all the best laid plans of mice and men meant nothing all along. A- List All the Way. Goemon may be the lowly ninja hero fighting against an impossibly huge machinations, but he was played by anything but a lowly actor. Raizo Ichikawa is often referred to as the Japanese James Dean, being the looker who melted women’s hearts and had a magnetic screen presence, only to die too young of cancer in 1. However his career spanned over 1. Dean’s that left audiences with the greatest . Yamamoto would return to helm an immediate sequel Zoku Shinobi- no- Mono, which was bleak as hell with a brutal downer of an ending that saw his hero come to the end history actually recorded — caught by the law and boiled alive in oil. But remember, ninja are masters of escape, and escape Goemon returned for a third adventure, followed by a series reboot as Raizo Ichikawa became “Saizo the Mist” for another four films. Meanwhile a concurrent 5. Shinobi- no- Mono TV series starring Ryuji Shinagawa aired by Toei in 1. Onmitsu Kenshin(aka The Samurai in Australia). Every studio in Japan was cranking out ninja movies by mid decade — derivative noir- ish fare and gorgeous color adventures, kids’ manga adaptations to experimental art- house to soft porn. The movies and TV fed more and more ninja manga, which led to toys and merchandise, and interest increased in tourism to historical ninja locations with new museums popping up, martial arts manuals littered the shelves, dojo business boomed — it all fed each other and snowballed. As the series went on, the grave, morose plots and socialist agendas took a backseat to lighter- toned action spectacles, more . Screen ninja were being codified and the formula just kept selling. An eighth theatrical Sn. M film would see Raizo return as yet another hooded hero in 1. Raizo Ichikawa would die of cancer in 1. New Decade, OLD Ninja. Daiei Studios, trying to extend the 6. Shinobi no Shu (aka Mission: Iron Castle) — sometimes billed as the ninth film, sometimes not considered part of the series at all. Ill- timed with the dawning of the new decade, and ill- advised in invoking the franchise name soon after the nation’s heart was ripped out by the death of its beloved screen icon, the film failed to swell the mega audience its predecessors did, and fell into obscurity even among fervent collector circles for the longest time. But removed from that context, Mission: Iron Castle is arguably one of if not the best isolated examples of grim and gritty black- and- white ninja shinobi cinema. Prolific screen legend Hiroki Matsukata leads an elite band of ninja to rescue a kidnapped noblewoman from an ingeniously ninja- proofed castle loaded with traps. It’s wall- to- wall action, bolstered by familiar themes of wanting to escape the shadow life but knowing you never can, followed by a noir- as- hell ending. Just great. But it was 1. Raizo was dead. British writer Roald Dahl cribbed several scenes from Sn. M for his script for the Bond film You Only Live Twice — the western world’s first cinematic exposure to the idiom. Then a man named Sho Kosugi, who as a kid watching Shinobi- no- Mono was taught every lesson he’d need to know, came to America and became the icon of an entirely new ninja craze. But during that mega boom in the U. S. These movies sat in a distribution no- man’s land in the early 1. In a decade of garish neon color and post- Star Wars special effects excess, no English- language home video label was looking for something as complex, heady and monochromatic as Sn. M. But at the same time, an art house distributor like Janus Films, who’d scoop up any back catalog of Kurosawa, Inagaki, Ozu, Teshigahara and any other Japanese cinema elite wasn’t going to touch anything to do with “ninja,” as Cannon had placed the genre firmly in the exploitation/grindhouse camp, and cartoon turtles were on the horizon. So instead of getting the best the original genre had to offer in English, we got a small, weird assortment of imported titles that looking back now makes no sense. There was no subtitled Shinobi- no- Mono, no dubbed Castle of Owls or Warrior of the Wind, no airings of The Samurai on late night cable. Instead, an illogical assortment of special effects epics (like Kadowkawa’s Iga Ninpocho — ironically a return to pre- 6. Ninja Wars, Legend of the Eight Ninja and Renegade Ninjas. Cartoon Network Games ! You can play all types of games online including sports, action, arcade and adventure games for kids! Get into the action of your favorite Cartoon Network shows, and play Adventure Time games and Batman Games! A Time Warner Company. Cartoon. Network. Turner Entertainment Digital which is part of the Turner Sports & Entertainment Digital Network. Conspiratia iataganelor ep5 online, film. Editiei 2 Dansez Pentru Tine. 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November 2017
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